The Academy Awards is here, and the next Best Picture winner will be the 25th of this century. How do the other 24 compare with each other.

Despite some shaky conviction, at the core of it, Den of Thieves 2, like its predecessor, is as fun as it’s hard-hitting.

With chemistry between characters that compensate for acting which doesn’t go beyond third gear, Christmas in Lagos is an archetypal rom-com

As we head into the third international break of the season, how is the Premier League shaping up so far?

The question is, what is Lisabi? A rushed first work that simply wants to set up a sequel? Or a microcosm of Netflix and movies right now?

Deadpool & Wolverine is very much a classic MCU movie; and reminds that, with the MCU, we’re very much in the stage of profound apathy

Kunle Afolayan's latest Netflix flick gives itself much to work with, for better and worse

RMD stands out in The Black Book, sometimes to its detriment, as the movie does no justice to its sub-plots... or plot.

Jagun Jagun as a story can serve as a metaphor for deprogramming, and it also serves that up with materiality.

Perhaps recognising its potential constraints, Sam Hargrave's sequel works as a standalone project

A lot of flash that tries to make up for a poorly developed and shabbily written story, Gangs of Lagos is very much like the rest of them.

Netflix's latest Nollywood series is dead-eyed, grim and gritty... but to what end?

Far From Home has nothing new enough to justify being below par, nor is it interesting enough to cover its flaws

It’s better than what’s come before in the MCU Phase Four, but that doesn’t necessarily answer the question of whether it’s actually good

Elesin Oba gets more than enough points for trying, but fails to go beyond what’s given, and doesn’t explore areas ripe for exploration

Kunle Afolayan leans heavily on the backing of Netflix to deliver a movie that can only be described as a superb and enjoyable watch

Do Revenge might be the high school movie to end all high school movies, in the sense of being a perfect way to close the book on the genre

Netflix says it has closed the book on extravagant projects, perhaps this Russo Brothers flick didn't get the memo

The best feeling I have to describe going through six episodes of MCU’s Ms. Marvel is fun and massive enjoyment

Ayinla buttresses the point that Nollywood has a lot of untold stories to tell but lacks support, yet, fails to live up to expectations